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There's no question that Paul D. Miller, a.k.a. DJ Spooky that Subliminal Kid, is a potent and persistent media innovator, ever building new and surprising bridges between sight and sound, dada and data, academic and popular worlds. A typical Spooky project has at least three media arms: a multimedia performance, a musical mixtape, and a graphical interface, whether virtual or concrete; it can be attended as a performance, popped into a pod, and slid onto a shelf. His Book of Ice is one part of such a project, complementing his remarkable Terra Nova: Sinfonia Antarctica suite. Unfortunately, it's the weaker part; without the visual and musical motion of his performance piece, the book seems strangely static and immobile. There are a couple of brief, somewhat inscrutable introductions by scientists, a typically wide-ranging tour-de-force essay by Spooky himself, and a couple of interviews. There's some interesting stuff in each of them -- I was especially fascinated by

The world of e-books, in many ways, is as much an unexplored region as was the Arctic a century and a half ago. Will people be willing to pay for a virtual product with cold hard cash? And will electronic "books," so-called, ever be able to do the things that old-fashioned paper books have always done -- be loaned to a friend, donated to a library, or bequeathed to one's offspring? While the jury is still out on such issues, there is certainly one realm in which the e-book fills a much-needed role: in bringing books back into availability when their original publishers have decided to allow the title to fall out of print. And no such book is more welcome here than John Wilson's North With Franklin: The Lost Journals of James Fitzjames , which was first reviewed in these virtual pages nearly eleven years ago here . For those who can't readily lay hand on a used copy of the lovely Fitzhenry and Whiteside hardcover, there is an easy alternative, as Wilson's no